Articles and Resources Glauber Rocha
History of Brazil
VV.AA. Brazil: Five Centuries of Change. Brown University, Center for Digital Scholarship.
Cinema Novo
Ana Lucía Araújo : “History and Heritage of Slavery and the Atlantic Slave Trade in the South Atlantic.”
Scott L. Baugh: “Manifesting La Historia: Systems of ‘Development’ and the New Latin American Cinema Manifesto.”
Alex Viany: “The Old and the New in Brazilian Cinema.”
Lúcia Nagib: “Passages to Reality: The Case of Brazilian Cinema.”
Joao Luiz Viera and Robert Stam: “PARODY & MARGINALITY: The case of Brazilian Cinema.”
Eduardo Ledesma: Expanding Cinemas: Experimental Filmmaking across the Luso-Hispanic Atlantic since 1960.
Concetta Carestia Greenfield: “The New South American Cinema: From Neo-Realism to Expressive Realism.”
Sophia A. McClennen: “From the Aesthetics of Hunger to the Cosmetics of Hunger in Brazilian Cinema: Meirelles’ City of God.”
Salomé Aguilera Skvirsky: “The Latin American Process Film.”
Randall Johnson: “Introduction: Cinema Novo, the State, and Modern Brazilian Cinema.”
Darlene J. Sadlier: “Cinema Novo Redux” in A Century of Brazilian Documentary Film
Interviews and Profiles
Gary Crowdus, Wm. Starr, Ruth McCormick, and Susan Hertelendy: “CINEMA NOVO VS. CULTURAL COLONIALISM: an interview with Glauber Rocha.”
Gordon Hitchens: “The Way to Make a Future : A CONVERSATION WITH GLAUBER ROCHA.”
James Phillips: “Hunger and Garbage.”
José Gatti: “Impersonations of Glauber Rocha by Glauber Rocha.”
Brian Susbielles: “The Raw Kind: Glauber Rocha and his Passions.”
The Turning Wind (Barravento), 1962
Robert Stam: Tropical Multiculturalism (excerpt)
Dilek Önder: “Ambiguities and Double Voices in Barravento.”
James Hodgson: “Possibilities for queer revolution in Glauber Rocha’s Barravento/The Turning Wind (1962).”
Alexandra Seibel: “Staging the oppressed – ‘La Terra Trema’ and “Barravento’.”
Black God, White Devil, 1964
Mario Zupanovic: “Theatricality and performativity in Glauber Rocha’s cinema novo films.”
Ivana Ventes: “Politics and Aesthetics of Myth in Black God, White Devil.”
Peter Henné: “‘This Pain Grows Like the Sun’: Epistemology, Myth and History in Black God, White Devil.”
Amazonas, Amazonas, 1965
Luiza Beatriz Alvim: “Amazonas, Amazonas de Glauber Rocha e a música de Villa-Lobos: representações entre passado, presente e futuro.”
Sérgio Ivan Gil Braga: “Glauber Rocha’s Amazon: an analysis of the documentary ‘Amazonas, Amazonas’.”
Rosiel Mendonça and Sérgio Braga: “Glauber Rocha descobre a Amazônia: discurso e representações sociais no documentário Amazonas, Amazonas.”
Maranhão 66, 1966
Raquel Schefer: “Maranhão 66 (1966), de Glauber Rocha.: El newsreel y sus dinámicas formales.”
Entranced Earth, 1967
Robert Stam: “Land in Anguish.”
Ismail Xavier: “Land in Anguish: Allegory and Agony” in Allegories of Underdevelopment.”
Antonio das Mortes, 1969
Martin Scorsese on Glauber Rocha
Thomas M. Kavanagh: “Imperialism and the Revolutionary Cinema: Glauber Rocha’s ‘Antonio das Mortes’.”
Stefan Solomon: “‘The cloak of technicolor’: intermedial colour in Antônio das Mortes.”
Ana Luiza Valverde da Silva: “Análisis semiótico y discursivo de las películas Dios y el Diablo en la tierra del sol y Antonio das Mortes, de Glauber Rocha.”
Di Cavalcanti, 1977
Darlene J. Sadlier: “Documenting Death: Di Cavalcanti and Glauber, o filme.”
Carolina Sierra Azul: “Di Cavalcanti Di Glauber: Un entierro festivo para el modernismo.”
Bahian Renaissance
João José Reis: “Slave Resistance in Brazil: Bahia, 1807-1835 .”
Robert Stam: “Slow Fade to Afro: The Black Presence in Brazilian Cinema.”
Candomblé
Stephen Selka: “Mediated Authenticity: Tradition, Modernity, and Postmodernity in Brazilian Candomblé.”
Jacob U. Gordon: “Yoruba Cosmology and Culture in Brazil: A Study of African Survivals in the New World.”
Sheila S. Walker: “Everyday and Esoteric Reality in the Afro-Brazilian Candomblé.”
Glauber Rocha’s Theoretical Writings
Glauber Rocha: “Aesthetics of Hunger.”
Glauber Rocha: “The Revolution is an Aesthetics.”
Glauber Rocha: “The Cinematographic Revolution.”
Glauber Rocha: “An Aesthetics of Dreams.”
Sertão and Cangançeiros
Rex P. Nielson: “The Unmappable Sertão.”